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    <title>Mstation mmmm books    </title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi</link>
    <description>Mstation book reviews</description>
    <language>en</language>

  <item>
    <title>New RSS system and Feeds</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2009/03/08#feeds-news</link>
    <description>&lt;pre&gt;For a long time we've been running separate instances of Blosxom to handle
our two categories of News, as well as our Reviews and Commentary to do with
books, classical music, pop/dance/etc music, games, and podcasts. Blosxom has
served us very well but always had some problems playing well on a PHP site ...
integration proved difficult.

So now we've installed a Wordpress system which offers quite a few advantages.
First of all, all the categories can be easily browsed within one page plus it's
very easy to add something new or disappear something.

Hopefully, you'll like it! Here is the page ... &lt;a href=&quot;&lt;a href=&quot;http://mstation.org/rev-com&quot;&gt;http://mstation.org/rev-com&lt;/a&gt;

The feeds can be subscribed to by mousing over the categories on the right
hand side of the page. The new feeds are as follows:

everything! &lt;a href=&quot;http://mstation.org/rev-com/?feed=rss2&quot;&gt;http://mstation.org/rev-com/?feed=rss2&lt;/a&gt;
books &lt;a href=&quot;http://mstation.org/rev-com?feed=rss2&amp;cat=6&quot;&gt;http://mstation.org/rev-com?feed=rss2&amp;cat=6&lt;/a&gt;
classical music  &lt;a href=&quot;http://mstation.org/rev-com?feed=rss2&amp;cat=3&quot;&gt;http://mstation.org/rev-com?feed=rss2&amp;cat=3&lt;/a&gt;
games &lt;a href=&quot;http://mstation.org/rev-com?feed=rss2&amp;cat=5&quot;&gt;http://mstation.org/rev-com?feed=rss2&amp;cat=5&lt;/a&gt;
music &lt;a href=&quot;http://mstation.org/rev-com?feed=rss2&amp;cat=4&quot;&gt;http://mstation.org/rev-com?feed=rss2&amp;cat=4&lt;/a&gt;
news: general &lt;a href=&quot;http://mstation.org/rev-com?feed=rss2&amp;cat=11&quot;&gt;http://mstation.org/rev-com?feed=rss2&amp;cat=11&lt;/a&gt;
news: music, games &lt;a href=&quot;http://mstation.org/rev-com?feed=rss2&amp;cat=12&quot;&gt;http://mstation.org/rev-com?feed=rss2&amp;cat=12&lt;/a&gt;
podcasts &lt;a href=&quot;http://mstation.org/rev-com?feed=rss2&amp;cat=7&quot;&gt;http://mstation.org/rev-com?feed=rss2&amp;cat=7&lt;/a&gt;
tech &lt;a href=&quot;http://mstation.org/rev-com?feed=rss2&amp;cat=10&quot;&gt;http://mstation.org/rev-com?feed=rss2&amp;cat=10&lt;/a&gt;
uncategorized &lt;a href=&quot;http://mstation.org/rev-com?feed=rss2&amp;cat=1&quot;&gt;http://mstation.org/rev-com?feed=rss2&amp;cat=1&lt;/a&gt;

We will keep the present feeds running until perhaps the end of April,
so no great rush, although news items will be posted to the new feeds
from today... March 6 09.
&lt;/pre&gt;
</description>
  </item>
  <item>
    <title>Iggy Pop</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2009/02/28#book-pop</link>
    <description>&lt;p&gt;&lt;b&gt;Joe Ambrose, Gimme Danger: The Story of Iggy
Pop, Omnibus Press&lt;/b&gt;
&lt;p&gt;The Ig has turned into a bit of an icon - wild
man grandfather of Punk turned into clean-living
semi-socialite with a few bucks in the bank for a
change. Who would begrudge him that? Or say he wasn't
worth a book.
&lt;p&gt;Joe Ambrose does a good job too, taking it from his
family background (eccentric but not deprived) and
his early-won outsider status. And then right through
The Stooges, the Bowie years, and on to the present.
It's not a hagiography either - the author sounds much
like a Stooges fan and so the Bowie influence isn't
something he's ecstatic about and he has a few words
to say about Bowie's money-grubbing.
&lt;p&gt;In fact you get a pretty good coverage of a fair
bit of Bowie's career just through his proximity to
Pop... LA, Berlin, and beyond.
&lt;p&gt;There are quite a few photos as well.
(thunderfinger)

&lt;p&gt;&lt;iframe src=&quot;http://rcm.amazon.com/e/cm?t=mstation-20&amp;o=1&amp;p=8&amp;l=as1&amp;asins=1844493288&amp;md=10FE9736YVPPT7A0FBG2&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr&quot; style=&quot;width:120px;height:240px;&quot; scrolling=&quot;no&quot; marginwidth=&quot;0&quot; marginheight=&quot;0&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;</description>
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    <title>Surferboy</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2009/02/28#book-surferboy</link>
    <description>&lt;p&gt;&lt;b&gt;Kevin McCleer, Surferboy, Wrecking Ball Press&lt;/b&gt;
&lt;p&gt;Yowzuh!! Cowabunga!! If you know those words, you'll love this book. It's about
growing up in LA and getting into surfing amongst its many wonderful, if overcrowded,
beaches.
&lt;p&gt;It's called an autobiographical novel but to any surfer it will just be the word.
The description of the rites of passage, the waves, the beaches, the people, and the
socilogical surrounds is right on the spot for the time he talks about.
&lt;p&gt;The author was also a 'Val' (from the San Fernando Valley and viewed by beach locals
a bit like AOLers were viewed on the Net) and so had some problems to overcome including
actually getting to the beach and then combating violent localism when he did - but,
actually, he seems to have had a comparitively easy ride mostly through the fact that
he has some common sense.
&lt;p&gt;If you're a surfer and from LA and now living somewhere else then this book will put
a big wide smile on your face while also summoning up some feelings of homesickness.
Where else has such a great array of beaches and such great weather? Nah, sorry,
Australia doesn't compare in it's totality even if it does have some great spots.
&lt;p&gt;If you're not a surfer, but kind of interested, then you'll know a whole lot more
once you've read this.
&lt;p&gt;There is one used copy at Amazon as this goes up. Publishers?
&lt;p&gt;&lt;iframe src=&quot;http://rcm.amazon.com/e/cm?t=mstation-20&amp;o=1&amp;p=8&amp;l=as1&amp;asins=B001BZPGQQ&amp;md=10FE9736YVPPT7A0FBG2&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr&quot; style=&quot;width:120px;height:240px;&quot; scrolling=&quot;no&quot; marginwidth=&quot;0&quot; marginheight=&quot;0&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;
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  <item>
    <title>Bad Monkeys</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2009/02/28#book-monkeys</link>
    <description>&lt;p&gt;&lt;b&gt;Matt Ruff, Bad Monkeys, Bloomsbury&lt;/b&gt;
&lt;p&gt;Lots of good words have been said about this book
including some from Neal Stephenson himself - not
that this book is a huge doorstop. 
&lt;p&gt;What we have is a world where incorrigibly not
nice people are called Bad Monkeys by an organisation
who tracks them by super-sophisticated means and kills
them on a regular basis.
&lt;p&gt;The Bad Monkeys have an organisation as well and
in this story, which races around the place at a great
rate, we are kept guessing as to who is who and what's
where until the final pages.
&lt;p&gt;It's a fun read.&lt;p&gt;
&lt;a href=&quot;http://www.amazon.com/gp/product/0061240427?ie=UTF8&amp;tag=mstation-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=0061240427&quot;&gt;Bad Monkeys: A Novel (P.S.)&lt;/a&gt;&lt;img src=&quot;http://www.assoc-amazon.com/e/ir?t=mstation-20&amp;l=as2&amp;o=1&amp;a=0061240427&quot; width=&quot;1&quot; height=&quot;1&quot; border=&quot;0&quot; alt=&quot;&quot; style=&quot;border:none !important; margin:0px !important;&quot; /&gt;</description>
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  <item>
    <title>Watching the English</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2009/02/28#book-english</link>
    <description>&lt;p&gt;&lt;b&gt;Kate Fox, Watching the English, Hodder&lt;/b&gt;

&lt;p&gt;Ah, Hodder, or rather Hodder and Stoughton as
it used to be before it was sold off to the
Americans some years ago. It's actually fairly amazing
just how much of British publishing disappeared. 
Gone are the clubby offices and three hour lunches.
Quite sad in a way but Hodder has endeavoured to
keep its brand alive - and that brand is about
Englishness.
&lt;p&gt;People love to read about their own national
characteristics - Japanese, English, American, 
Australian, French amongst many others. It's an
enjoyable sort of navel-gazing - &quot;Oh yes, we are like
that&quot; *giggle*
&lt;p&gt;And sometimes, in more class bound societies, some
might use such books to get a few posh pointers. I
wouldn't advise using this one though as it's quite
often off the mark or oversimplified.
&lt;p&gt;There's still lots of fun to be had for English
people, and perhaps others as well. Kate Fox starts
off with the vexatious question of different words for
the same item ... which is made even more tricky by
the habit of using the &quot;wrong&quot; one to be jokey. It's
really best not to play this game at all (and most
people don't) unless you were born to it.
&lt;p&gt;There is much more than this though and quite a few
giggles to be had and, perhaps, something useful to
be learnt. And we can hope that the best of the
traditions will somehow muddle through - like good
manners.
(Baron K)&lt;p&gt;
&lt;iframe src=&quot;http://rcm.amazon.com/e/cm?t=mstation-20&amp;o=1&amp;p=8&amp;l=as1&amp;asins=1857885082&amp;md=10FE9736YVPPT7A0FBG2&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr&quot; style=&quot;width:120px;height:240px;&quot; scrolling=&quot;no&quot; marginwidth=&quot;0&quot; marginheight=&quot;0&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;</description>
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    <title>Algorithms</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2009/01/30#book-algorithms</link>
    <description>&lt;p&gt;&lt;b&gt;G.T. Heineman, G. Pollice, S. Selkow, Algorithms in a Nutshell, O'Reilly&lt;/b&gt;

&lt;p&gt;Most of O'Reilly's Nutshell series is hardcore and meant as references for
people doing actual work rather than being for a little geeky reading. This book
is no exception and we think you'd be quickly lost if you didn't have the
basics of algorithms already under your belt. They recommend Knuth's volumes for
just this task.
&lt;p&gt;Still and all, there are sections that could actually serve as a heavyweight
introduction in that, right at the start, you're made aware of all sorts of
potential issues, whether it be in sorting time, facility of the algorithm, or
the eternal memory leak problem (why not use something other than C then? some
discussion of other languages might have been helpful.).
&lt;p&gt;The book is meant to be a desktop reference and could be quite good for that
purpose but some sort of familiarty with the order of the book would be needed
first, but we guess they didn't say &quot;Quick Desktop Reference&quot;.

&lt;iframe src=&quot;http://rcm.amazon.com/e/cm?t=mstation-20&amp;o=1&amp;p=8&amp;l=as1&amp;asins=059651624X&amp;md=10FE9736YVPPT7A0FBG2&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr&quot; style=&quot;width:120px;height:240px;&quot; scrolling=&quot;no&quot; marginwidth=&quot;0&quot; marginheight=&quot;0&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;
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    <title>Nureyev</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2009/01/30#book-nureyev</link>
    <description>&lt;p&gt;&lt;b&gt;Julie Kavanagh, Nureyev: a life, Vintage&lt;/b&gt;
&lt;p&gt;When I was a child Nureyev was one of the emblems
of being absolutely fabulous - always seen in photos
with gorgeous and glamourous women, always looking
fabulous himself, and then, of course, he was a
fabulous ballet dancer.
&lt;p&gt;Julie Kavanagh also does a fabulous job of tracing
his career from Russia's deep wilderness to the
heights of society in the West and the heights of
artistic creation. She also manages to reveal some of
his least lovable characteristics without seeming
judgemental or prurient.
&lt;p&gt;He was of course extremely Gay, which wasn't known
to many in the general world at the time. It was AIDS
that killed him prematurely and this world of
extreme promiscuity is also covered with some grace as
is his decline and death.
&lt;p&gt;In the end, this book is an affectionate and
admiring tribute that nevertheless manages to look its
subject full in the face. It is a must for ballet fans
I should say.
(Baron K)

&lt;iframe src=&quot;http://rcm.amazon.com/e/cm?t=mstation-20&amp;o=1&amp;p=8&amp;l=as1&amp;asins=0375704728&amp;md=10FE9736YVPPT7A0FBG2&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr&quot; style=&quot;width:120px;height:240px;&quot; scrolling=&quot;no&quot; marginwidth=&quot;0&quot; marginheight=&quot;0&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;
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    <title>Dog Murder and the Geek</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2009/01/30#book-haddon-dog</link>
    <description>&lt;pre&gt;&lt;b&gt;Mark Haddon, The Curious Incident of the
dog in the night-time, Vintage&lt;/b&gt;&lt;/pre&gt;
&lt;p&gt;Let us start by saying that we're using the word
'geek' in rather an affectionate sort of way. The
outline of the story is this: a 15yo boy who has
Asperger's Syndrome discovers a murdered dog (the
pitchfork through his body was a clue) and decides to
find out whodunnit.
&lt;p&gt;But wait, there's more! The story is told by the boy
from inside his world - likes rule-based systems such
as maths and physics, hates to be touched, doesn't
have a clue what people are about unless everything
is carefully explained and he doesn't get physical
clues such as people's expressions, at all. He is also
very keen on Prime Numbers, and that's how the
chapters are numbered. He also can't tell lies.
&lt;p&gt;And so one gets a strikingly simple view of the
world, endearing even if one didn't get the suspicion
that this sort of reasoning - without fuzziness - is
how we came to be in so many fixes at once. 
Admitting to almost unknowable complexity and making
rational decisions on that basis is the way forward:
certainly not binary-minded luddism - not if we care
to live in heated houses anyway.
&lt;p&gt;But in the context of the story and the storyteller
this isn't likely to get under anyone's skin. Instead,
perhaps they'll let their hidden geek out to play. And,
to be fair, the boy shows he's alive to complexity
but the religious references are, one suspects, the
author's problem - in that assertions one way or
another are unprovable.
&lt;p&gt;The mystery of the dog is cleared up half way
through but then we set off on an heartrending
adventure which we won't talk about except to say that
some people have more than their fair share of contact
with adults who suck.
&lt;p&gt;Is it really just a Whitbread award winning children's
book? No, no, it's much more than that.

&lt;iframe src=&quot;http://rcm.amazon.com/e/cm?t=mstation-20&amp;o=1&amp;p=8&amp;l=as1&amp;asins=1400032717&amp;md=10FE9736YVPPT7A0FBG2&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr&quot; style=&quot;width:120px;height:240px;&quot; scrolling=&quot;no&quot; marginwidth=&quot;0&quot; marginheight=&quot;0&quot; frameborder=&quot;0&quot;&gt;&lt;/iframe&gt;
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    <title>Ableton Live Tr	</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2008/11/27#book-ablive</link>
    <description>&lt;p&gt;Ableton Live 7 Tips and Tricks by Martin Delaney, from PC Publishing is one of those textbook-sized things with lots of black and white screenshots and extremely wide margins to contain their captions (and to make the book 150 pages rather than just 90).  I've never read any of these before and have never really been sure at whom they're aimed: apparently the book &quot;does not duplicate the Live user manual, it expands upon it and introduces creative concepts, workflow enhancements and workarounds for common objectives and problems&quot;. 
	&lt;p&gt;Unfortunately, it's a pretty short book, so it's only going to be of much use to you if you're interested in the fairly narrow sample of 'creative concepts, workflow enhancements and workarounds' which Delaney has room to cover.  This is most likely to apply if you are using Live to write some form of 'experimental' electronica (which to be fair does cover a lot of the user base), no matter how much he may preach the software's flexibility and range of applications.  These expectations flavour the text a bit more than I would have liked (&quot;this can get quite messed up - which is, yes, good&quot;) and there are rather too many 'Live is great for lots of different things!' paragraphs for a book ostensibly aimed at existing Live users, adding to the rather unfocused feel.  What with the prose's tendency toward smirking jokes, it's all a bit like being stoned while someone shows you a random selection of techniques they've learned in Live.
	&lt;p&gt;I'm being slightly harsh - there are definitely worse books of this type out there - but this is far less well-written than the Live manual (which saves its jokes up and makes them count - the deadpan one in the section on sidechain compression is laugh out loud stuff), contains far less information, and doesn't come free with the software...  so I struggle to see the point of it.  And as far as offering 'workarounds for common problems' goes, it doesn't even mention what I consider to be the most annoying 'feature' of Live:  the fact that a lot of clip automation envelopes will only let you modulate parameters downward from their current setting.  Many is the time I've decided to add some clip envelopes for a filter cutoff halfway through a project, then realised I'll have to turn the main cutoff knob up to full in order to be able to use the whole range of values (which of course means going back and tediously adding envelopes to restore the desired value to all the previous clips), and ended up thinking: &quot;if only there was some kind of workaround for this common problem&quot;.  But this issue isn't even mentioned in the book's sections on clip automation.
&lt;p&gt;	However, the author obviously knows his subject very well and has some good advice to give, so as long as you can live with the writing style and accept that the scattershot approach may not cover what you'd really like to know, you won't be disappointed.  
icks
(Stephen Hedley)</description>
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  <item>
    <title>Nicholas Fouquet</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2008/11/27#book-fouquet</link>
    <description>&lt;p&gt;&lt;b&gt;Charles Drazin, The Man Who Outshone the
Sun King, &lt;a href=&quot;http://www.dacapopress.com&quot;&gt;Da Capo Press&lt;/a&gt;      &lt;/b&gt;

&lt;p&gt;When I was small I remember seeing a picture of
a grand house set behind what looked like a moat.
The stone was golden in the dusk light. Its grace
and beauty captured me and I wondered 'Who lived
there? Who created such a place?'. Thus began my
long love affair with France.
&lt;p&gt;The name of the place was Vaux-le-Vicomte, and
the man who built it and guided such as Andre le Notre
was Nicholas Fouquet, superintendent of finance
under the Sun King, Louis XIV ... and this book
is his story.
&lt;p&gt;The story starts off with Cardinal Richelieu and
Louis XIII. Richelieu was to make the mold for
the golden shoes that Mazarin, and later the
non-Cardinal Colbert wouldn't fit into. The 
author's understanding of Richelieu, that of a
power-mad scruple-free non-religious Cardinal,
doesn't coincide with modern thought on this
subject, which holds his religious beliefs to have
been quite genuine. Putting them under the heading
of Baroque, they were deemed to be extremely
positive and not at all like the neo-Jansenism that
came to be practised in many places. Anyone who
has come across Irish priests will know about
Jansenism.

&lt;p&gt;The point of this observation is that Mazarin,
under whom Fouquet worked primarily, was not a continuation
of the same. He was a rather smaller and meaner
version. Richelieu, with his subtlety, ruthlessness
and plain brain power remained the template - one
it seems, that Fouquet aimed at himself.
&lt;p&gt;Fouquet's story starts in a well-connected
family and proceeds through the civil service with
the speed that money, connections, and his own
skills and daring would have suggested. And then he
flew too high and the jealous king brought him
down.
&lt;p&gt;His undoing was the building of Vaux-le-Vicomte,
the finest house in France, and then having an
extraordinarily extravagant party to officially
open it. This book spends quite some time on the
building of the house and the people involved
with it. This is against the somewhat claustrophobic
background of Louis's incessant wars and Mazarin's
paranoid whinings. 
&lt;p&gt;What also is apparent is that statements  by
the duc de Saint Simon in his memoirs about Louis
XIV being petulant and nasty certainly are borne
out here, even though after the Fronde
he could perhaps be forgiven a little jumpiness.
&lt;p&gt;Although the author does talk about Fouquet's
spy network, I think more could have been made of
this and in particular more could have been made
of his friendship with the famous Madame de Sevigne 
- she paid a heavy price, being questioned and put
out of favour at court but remaining a steadfast
though necessarily distant friend. 
&lt;p&gt;This period of French history was plundered by
Dumas for all sorts of exciting tales. This book
is another window into that time.
(Baron K)</description>
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  <item>
    <title>Heroin Diaries</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2008/10/28#book-nikki6</link>
    <description>&lt;p&gt;&lt;b&gt;Nikki Sixx with Ian Gittins,
the Heroin Diaries: a year in the life of a
shattered Rock Star, Pocket Books&lt;/b&gt;
&lt;p&gt;The stated credo of this book is that if one
person is helped to avoid Mr. Sixx's experience
with drugs then 'it will have been worth it'.
&lt;p&gt;Sixx is the bassist in 80's (and still) hair
metal band Motley Crue and he outlines his bad
habits in some detail as well as numerous
escapades which mostly fall under the heading of
Yucky People Doings. At least, we suppose, there's
a nice symmetry in the fact that they seemed to
treat each other in much the same way as they
treated other people ... and also, they were as
advertised - cretinous barbarians.
&lt;p&gt;So, who might want this book? People who like
Mojo magazine might like it as they thought it
was funny (!?!). Social anthropologists might
love it ... especially budding social workers.
HM completists should have it of course ... and
then there's that one person who might benefit
from it.
 </description>
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    <title>Website Optimization</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2008/10/28#book-website-optimize</link>
    <description>&lt;p&gt;&lt;h2&gt;Andrew B. King, &lt;u&gt;Website Optimization&lt;/u&gt;, O'Reilly&lt;/h2&gt;

&lt;p&gt;Yes, you guessed, this is a guide to optimizing websites both in terms of the
physical performance in a browser and also in terms of search engines.
&lt;p&gt;An aside here is how quickly we seem to accept a situation as normal. Take
search engines - One would expect that search engines would semantically parse
pages and be able to provide some sort of useful overview. Also, we might expect
that algorithims scanning links would immediately be able discount the most
obvious cheaters. This is far from the case and woe be it to anyone who thinks they
can hide the crux of a page in paragraph three and still be usefully indexed.
&lt;p&gt;... which tidily leads us back to the book while we wait for improvements
in the search world. The present reality is that you do need to do something
and this book will guide you through excactly what.
&lt;p&gt;It starts by looking at search engine optimization and gives examples of how
to deal with the appropriate Meta tags, &quot;content&quot; and &quot;keywords&quot;. Keywords is a
huge area by itself with all sorts of tools available for sussing out their
potential - not much point is using a keyword that generates one search a week if
you can honestly use one that generates a thousand. &quot;Honestly&quot; is quite a big word
here but at least in this area there are some signs that body text is checked to
see if it's true.
&lt;p&gt;The keyword thing also leads into the Adwords side of things and there's a
fair bit to be said that people who purchase ads on Google will find interesting.
The whole keyword thing, of course, just underlines the failure (so far) of
semantic parsing ... quite conveniently for Google, perhaps.
&lt;p&gt;There's a lot more to the book including quite a large section on optimizing
the site itself in terms of loading times and code. There's also a fair sized
section on web analytics and if you never quite grasped what a bounce rate was,
this book will help you. All in all, if you have a website, then this book will be
of interest.</description>
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    <title>Sonic Youth</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2008/10/28#book-sonic-youth</link>
    <description>&lt;p&gt;&lt;h2&gt;David Browne, &lt;u&gt;Goodbye 20th Century: a biography of Sonic Youth&lt;/u&gt;, &lt;a href=&quot;http://www.dacapopressmusicbooks.com&quot;&gt;Da Capo Press&lt;/a&gt;&lt;/h2&gt;

&lt;p&gt;Sonic Youth have inspired great devotion along with great confusion. Originally the
babies of the NYC art crowd and a sort of outgrowth of the punk/hardcore scene, they
asked considerable questions about just what a song was and how it might be
delivered. Their answers included many song-like things along with a fair sampling of
pieces that were closer to noise music. And all with a certain sort of Downtown
attitude.
&lt;p&gt;The confusion was heightened by Sonic Youth's balancing act on the art/commerce
high wire ... this was a part of their interest as well.
&lt;p&gt;This book traces all the members of the band (Thurston Moore, Kim Gordon, Lee 
Renaldo and Steve Shelley) and pretty much all the band's doings ... and along the
way, the music scene of the time. And so we get a fairly good view of one of the
more interesting periods in the history of music in New York. That it's a scene that
has all but disappeared makes it more poignant. And in that line one might wonder
that its eradication at the hands of big easy corporate money bidding property prices
through the roof ... no wait! ... might we see a return to the old days now - days
when a struggling artist could live in Manhattan? Days when a struggling venue might
survive on small takings? Who knows?
&lt;p&gt;From the post punk scene we move on through the Grunge and the alt-rock era in
which Sonic Youth also played a part - quite a big part in fact as Thurston was an
early booster of Nirvana and was instrumental in getting them on one of Geffen's labels.
&lt;p&gt;Another aspect, and quite an endearing one, was their struggle to survive financially.
For years they played for peanuts and lived off used tea bags practically. When their
breakthrough came it was hardly to superstardom in commercial terms (which, as you
can imagine displeased their label) but it was enough to let them live properly and
buy houses and apartments and bring up kids. 'Greed is a bit of a waste of time' might
be a good heading here for those artists who want to work on their own terms and lead
a satisfying life.
&lt;p&gt;So, yes, if you're a Sonic Youth fan then you should have this. If you're generally
interested in music and particularly interested in the art/commerce fight then you'll
find it interesting as well.</description>
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  <item>
    <title>Madonna</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2008/10/01#book-madonna</link>
    <description>&lt;p&gt;&lt;b&gt;Lucy O'Brien, Madonna: like an icon,
Corgi
&lt;/b&gt;

&lt;p&gt;Your reaction might be - Why would you read
that?! Good question! In fact, there are a few
reasons: For one, Madonna is a part of recent
pop/dance history, and she coincides quite
nicely with the putting together of Really
Big Music and its current state of whining
decline. 
&lt;p&gt;For another, she was also part of an 
interesting club scene in Detroit and New York
and in mid-career she had some producers who
did some pretty nice work (Orbit, Mirwais) on
her songs.
&lt;p&gt;And then there's the question of how such an
ordinary singer and actor could reach such
commercial heights.
&lt;p&gt;The story's outline will be familiar to lots
of people: not especially nice kid from a
middle class family looses mother early on, goes
a little haywire (by small town standards), gets
into clubbing and dance, uses everyone she can
get her hands on while searching for her thing,
and then, through smart marketing, becomes
rich, rich, rich, and famous, famous, etc. 
&lt;p&gt;So, why read it, you ask again?  Oh OK, you
win. (Thunderfinger) </description>
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  <item>
    <title>Le Dossier</title>
    <link>http://mstation.org/cgi-bin/reviews_books.cgi/2008/10/01#book-le-dossier</link>
    <description>&lt;p&gt;&lt;b&gt;trans Sarah Long, Le Dossier
How to Survive the English,
John Murray&lt;/b&gt;
&lt;p&gt;If you're in the mood for a bit of English
bashing this could be just the thing but it 
will give absolutely no joy at all to the likes
of Aussie Pommy haters as it will mostly be
incomprehensible.
&lt;p&gt;The reason being that the viewpoint is from
a Parisian female of supposedly huge brain and
with an extremely privileged background - or so
the story goes. There's actually a fair chance
that this character is made up, but never mind.
In any case, the viewpoint is lofty enough to
resemble a caricature French person but this is 
part of the fun.
&lt;p&gt;All the usual culprits get a serve - women's
looks and dress (actually, everyone's dress),
the manners, the food, the shops (interesting
statistic in the book is that 80% of English
food is bought in supermarkets whereas the figure
for France is 5%), the health system (catch
Eurostar home!), the ways of English sex (basic,
brutish, and short) which is blamed on 
Protestants, and of course, there's more, more,
more. 
&lt;p&gt;It is quite fun and I imagine will be read
mostly by English people.
(Baron K)</description>
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