Mstation Classical Reviews

Age of the Diva Albinoni Almost Christmas Arias, Hampson, Harnoncourt Bach Keyboard Concertos Bach Viola Bach, Barenboim Bach, Cantatas Bach, Concertos Bach, JS, Keyboard Works Bach, Mass in B Minor Bach, Mutter Bach, trio-sonatas Baroque Christmas Album Baroque Trumpet Bartok, Concertos Bartoli Bartoli, Opera Proibita Bax, Baroque Beethoven Piano Beethoven String Quartets Beethoven and Brahms Beethoven, piano Bella Donna: Courtly Love Belle Epoque Melodies Berlioz, Les Troyens Binchois, Dufay Boccherini, Cello Concertos Boxed Baroque Boyce, Eight Symphonies British Light Classics British Piano Concertos Brubeck, The Gates of Justice Bruch, Violin Concerto Callas Canteloube, Chants d'Auvergne Carols Chanticleer, Sound in Spirit Charpentier Charpentier, Lebegue Christmas 04 Christmas Vespers Contemporary and Medieval Copland Delius Der Rosenkavalier Dukachev - Beethoven, Prokofiev, Rachminov Elgar Elgar, Marches Elgar, The Enigma Variations Faure songs French Medieval Songs Fux Gounod, Faust Graham: Causon, Ravel, Debussy Great Ballets Grieg, Franck Handel Arias Handel, Deborah Handel, Messiah Handel, The Triumph ... Handel, Water Music DVD Hapsburg Music Haydn Haydn, Handel DVD's Herz Piano Jane Austen's Songbook Josefowicz Recital King's Singers La Fille Mal Gardee Lang Lang and Yo Yo Ma: Farewell Isabella and Chinese things Lauridsen Llibre Vermell Luci, Bartoli, and a dead diva Lully, Comedies-ballets, Phaeton Maerzmusik sampler Mahler Symphony No 7 Mahler, Berg Mantovani Matsudaira Medieval French Songs Mendelssohn Sacred Mendelssohn, Dvorak Messa di Gloria Michael Haydn Miles Davis ... sorta Monterverdi, Orfeo Monteverdi Vespers Monteverdi, Poppea Monteverdi, The Sacred Music 3 Monteverdi, Vivaldi, Handel Montiverdi Vespers Morricone Mozart Symphonies Mozart, Cosi fan tutte Mozart, Exsultate Jubilate Mozart, Mass in C Minor Mozart, symphonies 40, 41 Mozart: Die Zauberflote Mozart: the string quartets Mozrt Requiem Mutter Mozart New English Hymnal New RSS system and Feeds Nikolay Roslavets Peerson, Latin Motets Penguins March Pergolesi, La Serva Padrona Philip Glass, Symphonies 2 and 3 Poulenc concerto Proms Purcell - Dido and Aeneas Purcell Sonatas Purcell: Dido and Aeneas Rachmaninov, Piano Ramallah - Beethoven No. 5 Rameau, Les Paladins Reger, Bach and Telemann Variations Renaissance Organ Music Romantic Cello Concertos Romantic Violin Russian Album -Anna Netrebko Rutter Mass Sanctuary, the heart has its reasons Scarlatti, The complete Keyboard Sonatas Schubert and Mozart piano Schubert Ð Death and the Maiden Shostakovich Shostakovich and Schnittke, Cello Shostakovich/Josefowicz Sibelius String Quartets Sixteen: Ikon South American Baroque Stainer, The Crucifiction Sting does Dowland Strauss tone poem Takemitsu Tallis Tchaikovsky, Symphony No 5, Verdi, Sibelius The Kirov celebrates Nijinsky Toshiro Mayazumi Vaughan Williams Verdi View from a dark tunnel Virginal -Susann van Soldt Vivaldi Cello Vivaldi, Motezuma Vivaldi, Sacred Music Vivaldi: Dixit Dominus Von Otter Wagner, Das Rheingold Wagner, Gotterdammerung DVD Water Music, Music for the Royal Fireworks Weir, Gillian Weiss / Lindberg Lute Whitacre, Cloudburst Williams, Bingham: Mass von Weber, Chamber Music

Fri, 28 Jan 2005 Bach, Mass in B Minor J.S. Bach, Mass in B Minor The King's Consort Robert King 2 CD's, Hyperion Did I state my opinion that Bach is close to God? That will give you an idea of what is to come, but even without that, this is a very interesting piece of music. Bach wrote this late in his long life, and in some ways it seems to be a demonstration of all he had learnt. It is a forceful, swirling work with both grandeur and delicacy. There is a small mystery however. And that mystery relates to the fact that this is a Mass that could not have been performed in a Protestant Church because Luther had removed references to Christ's sacrifice from the liturgy and there are references to it in the B Minor Mass. The Mass also didn't follow the Roman Catholic way of proceeding so could not have been performed in a Catholic Church (which would have caused some ructions I imagine). In addition to that, the Mass is nearly two hours long and so, with the post reformation need of clergy to sermonise for hours, it would have been rather a large pill to swallow for an average Sunday. What was Bach's motive in this? Academic opinion seems to like the idea that it was a "top this" statement by Bach but does that really chime with what we know of his character? Could it have been a statement, not only of his skill, but also an opinion on the liturgy as it then stood? Who knows? It is interesting to speculate though. This is an absolutely magnificent work, perhaps Bach's finest, and this recording of the King's Consort by Hyperion is also very fine. (Count K) [] permanent link