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Mon, 30 May 2005
Bach, Cantatas
J.S. Bach, Cantatas from Leipzig 1724
BWV 5, 80, 115
Bach Collegium Japan
Masaaki Suzuki
LP, BIS
It's interesting how the politics of religion reveal
themselves time after time in Western music. In one of these
gorgeous cantatas the triumphalism of the Reformation cantata
was added to considerably by Bach's eldest son who was living
in a Lutheran area when the original composition had been
made where the local leading citizen had converted to Catholicism
because, it is said, of ambitions in Poland. It was presumed
that Bach himself had been the author of the triumphal bits
and it wasn't until later that the truth was discovered.
Although Bach might use Martin Luther's words, he, for me
at least, completely transends any liturgical difficulties
or differences in dogma between flavours of Christianity.
Here is the noble, the good, the optimistic, and the
beautiful. Really, one doesn't need to know any more and
I suppose that attitude fits in well with today's secular
society, but, on my part, that's an accident.
This is a Japanese production sponsored by NEC and it
really is very good. People used to complain that Japanese
players were a little like the French doing rock 'n' roll --
they got the moves but otherwise just didn't get it at all.
This wasn't fair but did have some truth to it
especially when dealing with items from the keyboard repertoire.
It was a little like the admirable honour-thy-work attitude
left little room for the subtlties of expression which mark
the truely great performances.
There is nothing mechanical about this performance. It's
a credit to all concerned.
(Count K)
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