Mstation Classical Reviews

Age of the Diva Albinoni Almost Christmas Arias, Hampson, Harnoncourt Bach Keyboard Concertos Bach Viola Bach, Barenboim Bach, Cantatas Bach, Concertos Bach, JS, Keyboard Works Bach, Mass in B Minor Bach, Mutter Bach, trio-sonatas Baroque Christmas Album Baroque Trumpet Bartok, Concertos Bartoli Bartoli, Opera Proibita Bax, Baroque Beethoven Piano Beethoven String Quartets Beethoven and Brahms Beethoven, piano Bella Donna: Courtly Love Belle Epoque Melodies Berlioz, Les Troyens Binchois, Dufay Boccherini, Cello Concertos Boxed Baroque Boyce, Eight Symphonies British Light Classics British Piano Concertos Brubeck, The Gates of Justice Bruch, Violin Concerto Callas Canteloube, Chants d'Auvergne Carols Chanticleer, Sound in Spirit Charpentier Charpentier, Lebegue Christmas 04 Christmas Vespers Contemporary and Medieval Copland Delius Der Rosenkavalier Dukachev - Beethoven, Prokofiev, Rachminov Elgar Elgar, Marches Elgar, The Enigma Variations Faure songs French Medieval Songs Fux Gounod, Faust Graham: Causon, Ravel, Debussy Great Ballets Grieg, Franck Handel Arias Handel, Deborah Handel, Messiah Handel, The Triumph ... Handel, Water Music DVD Hapsburg Music Haydn Haydn, Handel DVD's Herz Piano Jane Austen's Songbook Josefowicz Recital King's Singers La Fille Mal Gardee Lang Lang and Yo Yo Ma: Farewell Isabella and Chinese things Lauridsen Llibre Vermell Luci, Bartoli, and a dead diva Lully, Comedies-ballets, Phaeton Maerzmusik sampler Mahler Symphony No 7 Mahler, Berg Mantovani Matsudaira Medieval French Songs Mendelssohn Sacred Mendelssohn, Dvorak Messa di Gloria Michael Haydn Miles Davis ... sorta Monterverdi, Orfeo Monteverdi Vespers Monteverdi, Poppea Monteverdi, The Sacred Music 3 Monteverdi, Vivaldi, Handel Montiverdi Vespers Morricone Mozart Symphonies Mozart, Cosi fan tutte Mozart, Exsultate Jubilate Mozart, Mass in C Minor Mozart, symphonies 40, 41 Mozart: Die Zauberflote Mozart: the string quartets Mozrt Requiem Mutter Mozart New English Hymnal New RSS system and Feeds Nikolay Roslavets Peerson, Latin Motets Penguins March Pergolesi, La Serva Padrona Philip Glass, Symphonies 2 and 3 Poulenc concerto Proms Purcell - Dido and Aeneas Purcell Sonatas Purcell: Dido and Aeneas Rachmaninov, Piano Ramallah - Beethoven No. 5 Rameau, Les Paladins Reger, Bach and Telemann Variations Renaissance Organ Music Romantic Cello Concertos Romantic Violin Russian Album -Anna Netrebko Rutter Mass Sanctuary, the heart has its reasons Scarlatti, The complete Keyboard Sonatas Schubert and Mozart piano Schubert Đ Death and the Maiden Shostakovich Shostakovich and Schnittke, Cello Shostakovich/Josefowicz Sibelius String Quartets Sixteen: Ikon South American Baroque Stainer, The Crucifiction Sting does Dowland Strauss tone poem Takemitsu Tallis Tchaikovsky, Symphony No 5, Verdi, Sibelius The Kirov celebrates Nijinsky Toshiro Mayazumi Vaughan Williams Verdi View from a dark tunnel Virginal -Susann van Soldt Vivaldi Cello Vivaldi, Motezuma Vivaldi, Sacred Music Vivaldi: Dixit Dominus Von Otter Wagner, Das Rheingold Wagner, Gotterdammerung DVD Water Music, Music for the Royal Fireworks Weir, Gillian Weiss / Lindberg Lute Whitacre, Cloudburst Williams, Bingham: Mass von Weber, Chamber Music

Fri, 30 Jun 2006 Beethoven Piano Beethoven Piano Sonatas, Opp. 109, 110 and 111 Mitsuko Uchida – piano CD, Philips These piano sonatas are particularly special, as they are the last three of Beethoven’s 32 piano sonatas, which he began in 1795, and ended in 1822 (the year in which he died). I know we’ve all heard it before, but I still find it more than incredible that he composed these sonatas well after he had lost the ability to hear completely!!! In contrast to the first sonata, which is clearly set in classical form and convention (yet with his own style clearly emerging, even then…), the late sonatas are slightly bonkers. We can see the stage set for composers such as Schumann in Beethoven’s numerous performance directions at the beginnings of the movements, often in German (e.g. “Gesangvoll, mit innigster Empfindung” – Songlike, with the deepest expression). The full range (and beyond, at the time!) of the keyboard is used, while the tonality and form is being stretched to its limits. Mitsuko Uchida is justly well-respected, particularly for her Mozart recordings, and this recording are certainly no exception. Her tone is beautiful and brings off the nobility and elegance of Beethoven’s sound world with great sympathy. If you follow the score, she has clearly given great thought to all of Beethoven’s markings and directions. Perhaps if we compare this to the recordings of Schnabel , it probably doesn’t share quite the same intense and deeply personal understanding (which in my opinion is probably more important) but it certainly is more obedient and accurate. (M.North) [] permanent link