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Fri, 30 Jun 2006
Herz Piano
Herz
Piano Concerto no. 3, op 87
Piano Concerto no. 4, op 131
Piano Concerto no. 5, op 180
Howard Shelley – piano
Tasmanian Symphony Orchestra
CD, Hyperion
Heinrich/Henri Herz (1803/6-1888)
The son of a musician, Heinrich Herz was born in Vienna. He studied
first with his father, then at Coblenz and finally entered the Paris
Conservatoire, where he became a prize-winning piano student. In 1821
the great pianist, composer and pedagogue, Ignaz Moscheles visited
Paris and was to have a profound influence on Herz’s style. His
career went from strength to strength as a pianist, composer, teacher,
inventor and piano manufacturer. It is hard to believe now that in
his day, he was more popular a pianist than Liszt, Chopin and various
other pianists, and he was able to charge more per ticket for this
recitals and concerts, in which he played mainly his own compositions
(of which there are 8 piano concertos). From the 1830s, Herz joined
up with the Klepfa manufacturer of pianos, and although this venture
failed, Herz whent on to establish his own piano factory which
actually managed to improve on Erard’s double-escape mechanism. His
pianos went on to win prizes at International Expositions.
I won’t go on to describe each movement of the three concertos in
detail, but this music is far from being purely virtuosic music of no
substance. Admittedly, there is a lot of difficult piano writing
intended to show off the player’s ability, which Howard Shelley does
with tremendous clarity and beautiful touch. But at times, the
writing is tender and delicate – my favourite movement being the
second movement of the 3rd piano concerto, the opening theme to which
sounds as though it is based on a Scottish lullaby. Both the
orchestra and the soloist create a simple and beautiful sound. This
is a lovely recording and it is nice to hear something different from
this era in composition. (M.North)
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