Mstation Classical Reviews

Age of the Diva Albinoni Almost Christmas Arias, Hampson, Harnoncourt Bach Keyboard Concertos Bach Viola Bach, Barenboim Bach, Cantatas Bach, Concertos Bach, JS, Keyboard Works Bach, Mass in B Minor Bach, Mutter Bach, trio-sonatas Baroque Christmas Album Baroque Trumpet Bartok, Concertos Bartoli Bartoli, Opera Proibita Bax, Baroque Beethoven Piano Beethoven String Quartets Beethoven and Brahms Beethoven, piano Bella Donna: Courtly Love Belle Epoque Melodies Berlioz, Les Troyens Binchois, Dufay Boccherini, Cello Concertos Boxed Baroque Boyce, Eight Symphonies British Light Classics British Piano Concertos Brubeck, The Gates of Justice Bruch, Violin Concerto Callas Canteloube, Chants d'Auvergne Carols Chanticleer, Sound in Spirit Charpentier Charpentier, Lebegue Christmas 04 Christmas Vespers Contemporary and Medieval Copland Delius Der Rosenkavalier Dukachev - Beethoven, Prokofiev, Rachminov Elgar Elgar, Marches Elgar, The Enigma Variations Faure songs French Medieval Songs Fux Gounod, Faust Graham: Causon, Ravel, Debussy Great Ballets Grieg, Franck Handel Arias Handel, Deborah Handel, Messiah Handel, The Triumph ... Handel, Water Music DVD Hapsburg Music Haydn Haydn, Handel DVD's Herz Piano Jane Austen's Songbook Josefowicz Recital King's Singers La Fille Mal Gardee Lang Lang and Yo Yo Ma: Farewell Isabella and Chinese things Lauridsen Llibre Vermell Luci, Bartoli, and a dead diva Lully, Comedies-ballets, Phaeton Maerzmusik sampler Mahler Symphony No 7 Mahler, Berg Mantovani Matsudaira Medieval French Songs Mendelssohn Sacred Mendelssohn, Dvorak Messa di Gloria Michael Haydn Miles Davis ... sorta Monterverdi, Orfeo Monteverdi Vespers Monteverdi, Poppea Monteverdi, The Sacred Music 3 Monteverdi, Vivaldi, Handel Montiverdi Vespers Morricone Mozart Symphonies Mozart, Cosi fan tutte Mozart, Exsultate Jubilate Mozart, Mass in C Minor Mozart, symphonies 40, 41 Mozart: Die Zauberflote Mozart: the string quartets Mozrt Requiem Mutter Mozart New English Hymnal New RSS system and Feeds Nikolay Roslavets Peerson, Latin Motets Penguins March Pergolesi, La Serva Padrona Philip Glass, Symphonies 2 and 3 Poulenc concerto Proms Purcell - Dido and Aeneas Purcell Sonatas Purcell: Dido and Aeneas Rachmaninov, Piano Ramallah - Beethoven No. 5 Rameau, Les Paladins Reger, Bach and Telemann Variations Renaissance Organ Music Romantic Cello Concertos Romantic Violin Russian Album -Anna Netrebko Rutter Mass Sanctuary, the heart has its reasons Scarlatti, The complete Keyboard Sonatas Schubert and Mozart piano Schubert Đ Death and the Maiden Shostakovich Shostakovich and Schnittke, Cello Shostakovich/Josefowicz Sibelius String Quartets Sixteen: Ikon South American Baroque Stainer, The Crucifiction Sting does Dowland Strauss tone poem Takemitsu Tallis Tchaikovsky, Symphony No 5, Verdi, Sibelius The Kirov celebrates Nijinsky Toshiro Mayazumi Vaughan Williams Verdi View from a dark tunnel Virginal -Susann van Soldt Vivaldi Cello Vivaldi, Motezuma Vivaldi, Sacred Music Vivaldi: Dixit Dominus Von Otter Wagner, Das Rheingold Wagner, Gotterdammerung DVD Water Music, Music for the Royal Fireworks Weir, Gillian Weiss / Lindberg Lute Whitacre, Cloudburst Williams, Bingham: Mass von Weber, Chamber Music

Fri, 30 Jun 2006 Mahler Symphony No 7 Mahler (1860-1911) Symphony no. 7 Daniel Barenboim – conductor Staatskapelle Berlin CD, Warner Classics Mahler’s Seventh Symphony was composed between 1904 and 1905, then revised and scored in 1905-6. It was first performed in 1908. As one would expect, this symphony is big and shows the transition from the Romantic Era into the music of the twentieth century. Mahler had an idea of an open air “night patrol” scene when composing this music, thus two of the movements (the second and fourth of this 5 movement work) are entitled “Nachtmusik” and were, in fact, composed long before the other movements. In correspondence with the idea of being out in the open air, the symphony contains many sounds of nature, such as cowbells. The first movement is march-like, almost grotesque in style with fanfares and occasional birdcalls. The second is particularly stormy and atmospheric. The third movement is entitled “Schattenhaft” which means “shadowy” and is rather threatening in mood, which ends up as a morbid type of “danse macabre.” The second of the Nachtmusik movements is completely different in style, indicated by “Andante amoroso” and includes writing for the guitar and mandolin. The final movement was referred to by Mahler as “Der Tag” – the daylight, which, by huge contrast brings the dazzling light of day. The orchestra provides a huge range of colour in this symphony. The strings are often required to play long, rich lines, but are delicate when needed. The woodwind are particularly brilliant at bringing out the grotesque edge to the music, while the brass are both brooding and threatening. The character of the music changes so often, and the director (Barenboim) obviously has a huge sensitivity and understanding towards this style. (M. North) [] permanent link