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- Age of the Diva
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- Almost Christmas
- Arias, Hampson, Harnoncourt
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- Bella Donna: Courtly Love
- Belle Epoque Melodies
- Berlioz, Les Troyens
- Binchois, Dufay
- Boccherini, Cello Concertos
- Boxed Baroque
- Boyce, Eight Symphonies
- British Light Classics
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- Brubeck, The Gates of Justice
- Bruch, Violin Concerto
- Callas
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- Charpentier
- Charpentier, Lebegue
- Christmas 04
- Christmas Vespers
- Contemporary and Medieval
- Copland
- Delius
- Der Rosenkavalier
- Dukachev - Beethoven, Prokofiev, Rachminov
- Elgar
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- Fux
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- Herz Piano
- Jane Austen's Songbook
- Josefowicz Recital
- King's Singers
- La Fille Mal Gardee
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- Lauridsen
- Llibre Vermell
- Luci, Bartoli, and a dead diva
- Lully, Comedies-ballets, Phaeton
- Maerzmusik sampler
- Mahler Symphony No 7
- Mahler, Berg
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- Medieval French Songs
- Mendelssohn Sacred
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- Messa di Gloria
- Michael Haydn
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- View from a dark tunnel
- Virginal -Susann van Soldt
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- Vivaldi, Sacred Music
- Vivaldi: Dixit Dominus
- Von Otter
- Wagner, Das Rheingold
- Wagner, Gotterdammerung DVD
- Water Music, Music for the Royal Fireworks
- Weir, Gillian
- Weiss / Lindberg Lute
- Whitacre, Cloudburst
- Williams, Bingham: Mass
- von Weber, Chamber Music
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Thu, 01 Jun 2006
Mendelssohn Sacred
Sacred Choral Music - Mendelssohn
John Robinson (organ), David Hill (director)
The Choir of St Johnâs College Cambridge
CD, Hyperion
Mendelssohn was a composer I greatly sympathise with. He lacked determination to get the best from his musical ability, and had a great need for personal intimacy. Here is a great man whose choral writing gives him the opportunity to express his mind and emotions. He was also a composer for all, meaning he wrote music that would be musically rewarding for all involved â very much a sympathetic composer.
The opening of Sacred Choral Music is the âThree Sacred Songsâ, Op 23. They were written whilst on a trip to Rome in 1830. Unimpressed by the musical talent that lay in Rome, he devoted his mornings to singing, playing and composing after which he would travel the city. All of the music on this album lifts the listener from the stresses of ones surroundings, and wraps you up a âcocoon of enchanted idealismâ. A mixture of solo with organ, solo choir, and accompanied choir adds variety to the textures demonstrated by Mendelssohnâs elite compositional skills, and the variety a choir has to be able to portray in a quality performance.
The reputation of the choir of St Johnâs College Cambridge does seem to go before them. A dramatic, yet gracious effort gives the listener beautiful music, with room for personal imagination. I cannot complain about the interpretation of this music, and encourage all to delve deep into their imaginations whilst listening. This music deserves time in your evening, or your journey to work. It will improve your day, whichever end of it you happen to be!
(E Walton)
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