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Thu, 30 Mar 2006
Mozart, Exsultate Jubilate
Mozart Ð Exsultate Jubilate!
Regina Coeli K108
Laudate Dominum K339
Sub tuum Praesidium K198
Sancta Maria, mater Dei K273
Esxultate, Jubilate K 165
Agnus Dei K317
Laudate Dominum K 321
Regina Coeli K 127
CD, Hyperion
Carolyn Sampson Ð soprano
Choir of the KingÕs Consort
The KingÕs Consort
Robert King Ð conductor
Recorded in Cadogan Hall, London on 29th-31st October 2006
This recording brings together some of MozartÕs sacred music, some of
which was written when he was employed under the patronage of the
Prince-archbishops of Salzburg. Despite the fact that Mozart found his
relatively short-lived employment there frustrating, as he considered
Salzburg to be provincial and often longed to gain release to mingle
with the more international musical society, his work was as productive
and of as high a quality as ever. When listening to this music, it is
incredible to remember that Mozart was only in his mid-teens! After his
dismissal from his position at Salzburg he requested his father to send
copies of his Sacred Music (K317, 337 and 275) to impress the musical
society in Munich. As one would expect of Mozart, his treatment of the
Mass and other religious settings is charming, beautiful, innovative
(particularly in the use of tonality and adapting the music to suit each
singer) and often displays an operatic style. In fact, the Exsultate,
Jubilate K165 was composed for the castrato soprano, Venanzio Rauzzini
who was certainly more familiar in operatic settings.
Carolyn Sampson definitely deserves her reputation as Òone of the
leading British sopranos of her generation.Ó She has a beautifully
gentle and soft voice (which can obviously be more powerful when it is
appropriate) that is never overbearing for the style and context, and
her coloratura is superb. The combination of her musical sensitivity
and that of Robert King and the KingÕs Consort has produced a wonderful
and recording that anyone would enjoy.
In fact my only possible criticism of this CD would be the order of the
programme notes in the inlay cover Ð they donÕt match the playing order
on the CD and confused me several times!
(M.N.)
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