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- Age of the Diva
- Albinoni
- Almost Christmas
- Arias, Hampson, Harnoncourt
- Bach Keyboard Concertos
- Bach Viola
- Bach, Barenboim
- Bach, Cantatas
- Bach, Concertos
- Bach, JS, Keyboard Works
- Bach, Mass in B Minor
- Bach, Mutter
- Bach, trio-sonatas
- Baroque Christmas Album
- Baroque Trumpet
- Bartok, Concertos
- Bartoli
- Bartoli, Opera Proibita
- Bax, Baroque
- Beethoven Piano
- Beethoven String Quartets
- Beethoven and Brahms
- Beethoven, piano
- Bella Donna: Courtly Love
- Belle Epoque Melodies
- Berlioz, Les Troyens
- Binchois, Dufay
- Boccherini, Cello Concertos
- Boxed Baroque
- Boyce, Eight Symphonies
- British Light Classics
- British Piano Concertos
- Brubeck, The Gates of Justice
- Bruch, Violin Concerto
- Callas
- Canteloube, Chants d'Auvergne
- Carols
- Chanticleer, Sound in Spirit
- Charpentier
- Charpentier, Lebegue
- Christmas 04
- Christmas Vespers
- Contemporary and Medieval
- Copland
- Delius
- Der Rosenkavalier
- Dukachev - Beethoven, Prokofiev, Rachminov
- Elgar
- Elgar, Marches
- Elgar, The Enigma Variations
- Faure songs
- French Medieval Songs
- Fux
- Gounod, Faust
- Graham: Causon, Ravel, Debussy
- Great Ballets
- Grieg, Franck
- Handel Arias
- Handel, Deborah
- Handel, Messiah
- Handel, The Triumph ...
- Handel, Water Music DVD
- Hapsburg Music
- Haydn
- Haydn, Handel DVD's
- Herz Piano
- Jane Austen's Songbook
- Josefowicz Recital
- King's Singers
- La Fille Mal Gardee
- Lang Lang and Yo Yo Ma: Farewell Isabella and Chinese things
- Lauridsen
- Llibre Vermell
- Luci, Bartoli, and a dead diva
- Lully, Comedies-ballets, Phaeton
- Maerzmusik sampler
- Mahler Symphony No 7
- Mahler, Berg
- Mantovani
- Matsudaira
- Medieval French Songs
- Mendelssohn Sacred
- Mendelssohn, Dvorak
- Messa di Gloria
- Michael Haydn
- Miles Davis ... sorta
- Monterverdi, Orfeo
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- Monteverdi, The Sacred Music 3
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- Montiverdi Vespers
- Morricone
- Mozart Symphonies
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- Mozart: Die Zauberflote
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- Mozrt Requiem
- Mutter Mozart
- New English Hymnal
- New RSS system and Feeds
- Nikolay Roslavets
- Peerson, Latin Motets
- Penguins March
- Pergolesi, La Serva Padrona
- Philip Glass, Symphonies 2 and 3
- Poulenc concerto
- Proms
- Purcell - Dido and Aeneas
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- Reger, Bach and Telemann Variations
- Renaissance Organ Music
- Romantic Cello Concertos
- Romantic Violin
- Russian Album -Anna Netrebko
- Rutter Mass
- Sanctuary, the heart has its reasons
- Scarlatti, The complete Keyboard Sonatas
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- Shostakovich
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- Sibelius String Quartets
- Sixteen: Ikon
- South American Baroque
- Stainer, The Crucifiction
- Sting does Dowland
- Strauss tone poem
- Takemitsu
- Tallis
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- The Kirov celebrates Nijinsky
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- Vaughan Williams
- Verdi
- View from a dark tunnel
- Virginal -Susann van Soldt
- Vivaldi Cello
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- Vivaldi, Sacred Music
- Vivaldi: Dixit Dominus
- Von Otter
- Wagner, Das Rheingold
- Wagner, Gotterdammerung DVD
- Water Music, Music for the Royal Fireworks
- Weir, Gillian
- Weiss / Lindberg Lute
- Whitacre, Cloudburst
- Williams, Bingham: Mass
- von Weber, Chamber Music
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Mon, 29 Aug 2005
Stainer, The Crucifiction
Sir John Stainer, The Crucifiction
James Gichrist, Simon Bailey
Choir of Clare College, Cambridge
Timothy Brown
2 CDs, Naxos
The second CD included with this is actually a bonus CD in
relation to Naxos's recently celebrated eighteenth birthday.
It is entitled English Choral Classics and includes the likes
of Finzi, Elgar, Britten, Berkeley, Vaughn-Williams, Walton,
and Taverner.
The main CD is Stainer's most well-known work and is still
regularly performed. Stainer's objective was to write music
that was able to be performed by an average village choir and
so simplicity is one of his hallmarks. He managed to convey
pomp and majesty by forceful passages intermingled with radical
volume shifts. Power, this piece certainly has and it is also
a child of its time in it's use of dynamics. Whether it is likable
or not will depend on your own musical prejudices -- and perhaps
even your religious ones if you are given to such things.
The general lack of delicacy will cause dislike for some, and
the dynamics can seem rather hectoring. This might be what one
would expect of a Victorian but still, there is little doubt
that a performance reverberating through a large cathedral
could be quite moving.
(Count K)
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